Los Angeles-based creative technologist and editor working across trailer delivery, entertainment marketing, streaming, social, and OOH.
I build AI-native, human-led systems for complex media workflows, connecting video, audio, editorial metadata, brand rules, and delivery requirements into practical tools and repeatable systems.
Fast-changing problems | tight deadlines | technical handoffs
Selected Work
Public-facing work includes Marvel, Bronny James, CeraVe, Spotify, AMC Networks, The White Lotus | Google Pixel, and AWS | Capital One. Additional current work is available upon request.
[ View Public Work ]Tools & Workflow
I build tools for music and SFX matching, cue-sheet formatting, dialogue-list generation, A/V and graphics versioning, data-driven After Effects generation, caption conversion, delivery handoffs, reconforms, and the repetitive work that slows post teams down.
[ Read Case Studies ]About
Prime Video & Amazon MGM Studios, CAUSE+EFFECT, and Good Great Grand shape the background. The throughline is the same: build structure around complex media work and keep the team moving.
[ Read More ]What I Bring
I’m constantly asking how things work, why they work, why we do them that way, and how they could work better. That curiosity shapes how I think, the workflows and tools I build, the prototypes I pursue, and the way I approach unfamiliar problems.
I work best where creative and technical overlap: the edit, the workflow, the tool, the system, and the people using it.
Avid-to-Premiere reconform, cue sheets, batch ingestion, A/V versioning, caption conversion, and repeatable delivery systems.
Trailers, promos, branded content, social campaigns, entertainment marketing, and story-driven edits built around rhythm, clarity, and momentum.
Comfortable behind the camera and behind the computer, in both small production teams and larger studio environments.
Useful when it speeds cleanup, versioning, research, or content development. Topaz Labs, Runway, and ElevenLabs show up as tools, not the identity.